listen – i really want to stay at your house

i’ve been posting lists of songs with no context. maybe it’s the lack of sleep, maybe it’s the 2 rebulls and 2 coffees i’ve had, but right now i am motivated to write, and i’m thinking maybe i should explain why i have posted each and every one of these songs. because each one has a story and/or deeper meaning. at least for me.

i really want to stay at your house is from the original soundtrack of Cyberpunk 2077 released in december 2020, written and performed by let’s eat grandma, but credited to rosa walton and hallie coggins. it’s song from a video game i have been following since its very first teaser was released over a decade ago. it’s set in night city a fictional near future dystopian metropolis, and based on the original ttrpg by mike pondsmith from the late 80’s early 90’s.

as a teenager, cyberpunk and shadowrun were my obsession. mostly cyberpunk. i still have the original rulebooks somewhere here as well as a folder filled with character sheets and campaign settings. something about the whole near future distopia with corporate greed and cybernetic body modifications mixed with ultra violence just set my mind on fire. to be honest, it still does. i love movies, tv shows, videogames, anything set in a similar type of scenario. it’s so hopeless, depressing and unfair and yet so ridiculously lucrative to those who figure out how to play the game. imbalance is everywhere and if you’re on the wrong end of the seesaw, it’s game over choom.

but this isn’t a review of Cyberpunk the ttrpg, nor is it an analysis of Cyberpunk 2077 the game, instead, this is about my connection to this song, and although it was definitely a jam in the game driving through the streets of night city, it really cemented itself in my soul when i watched Edgerunners on netflix.

if you haven’t seen it yet, then stop here, go watch it.

no for real. stop reading this and go watch it.

i don’t care if you don’t like anime. i don’t care if you don’t like the premise. none of that matters, because what Edgerunners does is tell an amazing and ultimately crushing story that will absolutely make you feel something. if it doesn’t leave you struck with intense feelings of despair, emptiness, unfairness, sadness, depression even, then you just might not be a human.

and this song is the god damn crescendo of it all. it’s the ptsd trigger that gives you flashbacks. it fucking kills you all over again every. god. damn. time.

david, lucy, rebecca, maine, dorio, pilar, kiwi, hell even faraday are all so relatable it’s scary. the studio that did it, trigger, are masters at making you feel a connection to the characters (watch delicious in dungeon). at least for me, the relationship between lucy and david in particular broke me. like grown ass man sitting on the couch crying watching a cartoon broken.

this scene in particular affected me in ways i cannot even put into words. i don’t know if it was just being so immersed that i felt what david must have been feeling, if it was something i wanted to experience for myself again, if it was just remembering past loves, or maybe something else entirely, regardless, all the feels. you hear me? all of them!

and then when the song plays again at the end of the series… i’m dead. fucking dead.

so, i’m telling you. watch it. you won’t regret it. or actually, you probably will, but you’ll thank me for it anyways.

edit: i forgot to mention, lucy > rebecca. fight me.

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